Publications
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(1) "Every Child a Christ Child, Every Child a Murderer". Kind- und Kindheitsmotivik im Werk von Marie Luise Kaschnitz. Tübingen: Francke 1999 [dissertation].
(2) "Das Geweb ist satanisch fein." Friedrich Schiller's Kabale und Liebe as a Text of Violence. Würzburg: Königshausen und Neumann 2001. Downloads: Contents - Conclusion.
(3) Theater about theater. Parody and Modernity 1870-1914. Bielefeld: Aisthesis 2006 [Habilitationsschrift]. Downloads: Contents - Introduction - Corpus.
(4) The Wicked Woman. Knowledge poetics and gender in the early modern period. Sulzbach/Ts.: Helmer 2009. downloads: content- chapter 1.
(5) Poiesis of the Machine. Baroque Configurations of Technology, Literature, and Theater. Berlin: Akademie Verlag 2013. Download: Reading sample -S. 16
(6) Knowledge, Medium, and Gender in the 18th Century. Frauenzimmer-Studien zu Lexikographie, Lehrdichtung und Zeitschrift. Hamburg: Lang 2015. Download: Contents - Introduction.
(7) Lust und Nutz. Historical, Spiritual, Mathematical, and Poetic Erquickstunden in the Early Modern Period. Bielefeld: Aisthesis 2015. downloads: content- introduction.
(8) Attention, censorship! On freedom of expression and its limits. Berlin: Ullstein 2018.
(1) Encounters: Stage and Professions in the Cultural History of Theater. Ed. with Ariane Martin. Tübingen: Francke 2005.
(2) Dimensionen der Theatrum-Metapher in der Frühen Neuzeit. Ordnung und Repräsentation von Wissen. / Dimensions of the Early Modern Theatrum-Metaphor. Order and Representation of Knowledge. Ed. with Flemming Schock, Oswald Bauer, Ariane Koller, metaphorik.de. Hannover: Wehrhahn 2008
(3) "soon dainty flowers - soon food of the mind". Readings on Sophie von La Roche. Ed. with Monika Lippke, Matthias Luserke-Jaqui. Hannover: Wehrhahn 2008. Download: Preliminary note
(4) Metaphor and ecology. Linguistic ecological and ecolinguistic dimensions of metaphor. Edited by metaphorik.de and Wilhelm Trampe. Münster: LIT 2009.
(5) World and Knowledge on Stage. Theatrum literature of the early modern period. Repertorium. Edited with Thomas Stäcker with the collaboration of Flemming Schock, Constanze Baum, Imke Harjes, and Sabine Kalff. Wolfenbüttel: Herzog August Bibliothek 2011.
(6) The Theatrum Europaeum. Knowledge architecture of a century chronicle. Edited with Flemming Schock, Constanze Baum with the collaboration of Désirée Müller. Wolfenbüttel: Herzog August Bibliothek 2012.
(7) Theatricality of Knowledge in the Early Modern Period. Ed. with Constanze Baum. Wolfenbüttel: Herzog August Bibliothek 2013.
(8) Verorten - Verhandeln - Verkörpern. Interdisciplinary analyses of space and gender. Edited by Silke Förschler, Rebekka Habermas, and Nikola Roßbach. Bielefeld: transcript 2014.
(9) Destination Italy. Modern constructions of cultural knowledge in literature - language - film. Ed. with Alessandra Lombardi, Lucia Mor. Frankfurt a.M. [u.a.]: Lang 2014.
(10) Understanding Literature - what for? 55 responses. Ed. by Nikola Roßbach. Hamburg: Igel 2015.
(11) Lake Garda and the Germans. / I Tedeschi e il Garda. Literature - Art - Communication. Letteratura - Arte - Coomunicazione. Ed. with Alessandra Lombardi, Lucia Mor. Frankfurt a.M. [u.a.]: Lang 2016.
(12) Paul Maar: Studies in children's literature. Ed. by Andreas Wicke and Nikola Roßbach. Nuremberg: Königshausen & Neumann 2017.
(13) Kleines Kasseler Literatur-Lexikon. Authors. Ed. by Nikola Roßbach. Hanover: Wehrhahn 2017
(14) Zensur vom 16. bis zum 18. Jahhundert: Concepts, Discourses, Practices. Special volume of the Journal of International German Studies. Ed. with Florian Gassner. Frankfurt a.M.: Lang 2020
(15) No End to Rumor. Anti-Semitism in 20th and 21st Century Culture and Literature. Ed. with Stefan Greif, Turgay Kurultay. Kassel: kup 2020
(1) Arthur Schnitzler and Richard Schaukal: Correspondences. In: Eros Thanatos. Jahrbuch der Richard-von-Schaukal-Gesellschaft 3/4 (1999/2000), pp. 27-50.
(2) "Violence is the best eloquence". Language and Violence in Schiller's Early Dramas. In: Der Deutschunterricht 52 (2000), H. 6, pp. 20-30.
(3) "Tormented by Imagination. Autobiographical Concepts of Childhood in Marie Luise Kaschnitz. In: Dirk Göttsche (ed.): "Für eine aufmerksamere und nachdenklichere Welt". Contributions to Marie Luise Kaschnitz. Stuttgart, Weimar: Metzler 2001, pp. 49-64.
(4) Sleepy, Strange, Dead Gardens. A lyrical topos after 1945. in Der Deutschunterricht 53 (2001), H. 5, pp. 51-61.
(5) The End of Events: Arthur Schnitzler's "Therese." In: Akten des X. International Congress of Germanists in Vienna 2000. ed. by Peter Wiesinger with the collaboration of Hans Derkits. Bern, Berlin, Bruxelles, Frankfurt a.M., New York, Oxford, Vienna: Peter Lang 2002, vol. 6 (= Jahrbuch für Internationale Germanistik, Reihe A, vol. 58), pp. 405-412.
(6) Franz Hohler's verkehrte Welten - beim Wort genommen. In: Günter Helmes, Ariane Martin, Birgit Nübel, Georg-Michael Schulz (eds.): Literature and Life. Anthropological Aspects in the Culture of Modernity. Festschrift for Helmut Scheuer on the occasion of his 60th birthday. Tübingen: Narr 2002, pp. 293-303.
(7) "Mein Immernochda": First-person forms in the poetry of Marie Luise Kaschnitz. In: Jan Badewien, Hansgeorg Schmidt-Bergmann (eds.): Marie Luise Kaschnitz. A sensitive contemporary. Contributions to a conference of the Evangelische Akademie Baden with the Literarische Gesellschaft Karlsruhe on the occasion of Marie Luise Kaschnitz's 100th birthday, March 2-4, 2001, Bad Herrenalb. Karlsruhe: Evangelische Akademie Baden 2002, pp. 47-71.
(8) Salvation through Literature? Sinnentleerte Wirklichkeit und sprachliche Besinnung in Marie Luise Kaschnitz' lyrical cycles and essays 1945-1948. In: Christiane Caemmerer, Walter Delabar, Elke Ramm, Marion Schulz (eds.): Erfahrung nach dem Krieg. Women authors in the literary world 1945-1950. FRG, GDR, Austria, Switzerland. Congress report of the 3rd Bremen conference on questions of literary lexicography, 5-7.10.2000 in Bremen. Frankfurt a.M., Berlin, Bern, Brussels, New York, Oxford, Vienna: Peter Lang 2002, pp. 69-80.
(9) "We are made of paper": self-reflexivity and intertextuality in Dagmar Leupold's novels Edmond: Geschichte einer Sehnsucht, Federgewicht, and Ende der Saison. In: Ilse Nagelschmidt, Alexandra Hanke, Lea Müller-Dannhausen, Melani Schröter (eds.): Zwischen Trivialität und Postmoderne. Literature by Women in the 1990s. Frankfurt a.M., Berlin, Bern, Bruxelles, New York, Oxford, Vienna: Peter Lang 2002, pp. 167-183.
(10) "C'est une femme qui parle." The literary portrait as a site of feminine self-dramatization in the 'Grand Siècle'. In: Petra Leutner, Ulrike Erichsen (eds.): Das verorte Geschlecht. Literary spaces of sexual and cultural difference. Tübingen: Attempto 2003, pp. 155-174.
(11) Pais de fées and KartoffelAker. Gardens at Johann Heinrich Merck. In: Ulrike Leuschner, Matthias Luserke-Jaqui (eds.): Network of Enlightenment. New Readings on Johann Heinrich Merck. Berlin, New York: de Gruyter 2003, pp. 21-39.
(12) Bildwandlerinnen. The Poets Tanja Dückers, Sabine Scho, and Silke Scheuermann. In: Christiane Caemmerer, Walter Delabar, Helga Meise (eds.): Fräuleinwunder literarisch. Literature by Women at the Beginning of the 21st Century. Frankfurt a.M., Berlin, Bern, Bruxelles, New York, Oxford, Wien: Peter Lang 2005, 191-212.
(13) The Conspiracy of Fiesco at Genoa. A Republican Tragedy (1783). In: Matthias Luserke-Jaqui (ed.): Schiller-Handbuch. With the collaboration of Grit Dommes. Stuttgart: Metzler 2005, pp. 53-65.
(14) Empfindung zwischen Natur und Kunst. On theatrical and cultural-historical dynamization processes in the 18th century using the example of Lessing's Miss Sara Sampson. In: Lenz-Jahrbuch. Sturm-und-Drang-Studien 12 (2002) 2005, pp. 155-171.
(15) Theatermetaphorik in Wissenschaft und Wissenschaftstheorie um 1700: Gottfried Wilhelm Leibniz. In: Ariane Martin, Nikola Roßbach (eds.): Begegnungen: Stage and professions in the cultural history of theater. Tübingen: Francke 2005, pp. 15-29.
(16) Glass. On the Aesthetics of Paul Scheerbart. In: Musil-Forum. Studien zur Literatur der klassischen Moderne 29 (2005/2006), pp. 172-189.
(17) Aesthetic Coping with Landlessness. Scharaffische Perspektiven in Marco Polo's and Christopher Columbus's Travelogues. In: Carsten Jakobi (ed.): Landlessness. Exterritoriality in German-language literature. Munich: Martin Meidenbauer 2006, pp. 15-48.
(18) Schlaraffische Texte und Welten. Reflections on the Possibilities and Limits of a Cultural Studies in Literature. In: Daphnis 35 (2006), pp. 495-514.
(19) Hab' die Ehre! Theatrical Parody in the Viennese Fin de Siècle. In: Nestroyana 27 (2007), pp. 1-2, pp. 70-84.
(20) "Stimmgemenge. Redeterminations of Theater, Text and Genre in Helmut Krausser. In: Hans-Peter Bayerdörfert (ed.): Vom Drama zum Theatertext? On the situation of drama in countries of Central Europe. Tübingen: Niemeyer 2007, pp. 165-172.
(21) Security is nowhere. Arthur Schnitzler's monologue narratives Leutnant Gustl (1900) and Fräulein Else (1924). In: Matthias Luserke-Jaqui (ed.): Deutschsprachige Romane der klassischen Moderne. With the collaboration of Monika Lippke. Berlin, New York: de Gruyter 2008, pp. 19-46.
(22) "Mosi's World. Narratives in the Mass Media Using the Example of BILD Newspaper Articles on the Moshammer Murder. In: Achim Barsch, Helmut Scheuer, Georg-Michael Schulz (eds.): Literatur - Kunst - Medien. Festschrift for Peter Seibert on the occasion of his 60th birthday. Munich: Meidenbauer 2008, pp. 443-457.
(23) Marie Luise Kaschnitz's literary periods. For example, Munich. In: Simone Hirmer, Marcel Schellong (eds.): Reading Munich. Observations of a narrated city. Würzburg: Königshausen & Neumann 2008, pp. 167-177.
(24) Gynaeceum, sive theatrum mulierum. Modeling femininity in encyclopedic theaters of knowledge. In: Oswald Bauer, Ariane Koller, Flemming Schock, metaphorik.de (eds.): Order and Representation of Knowledge. Dimensions of the Theatrum Metaphor in the Early Modern Period. Hannover: Wehrhahn 2008, pp. 151-176 [online: metaphorik.de 14 (2008), http://www.metaphorik.de/14/Rossbach.pdf.
(25) Picking Flowers. Images and Education in Sophie von La Roche's Women's Magazine Pomona. Notes on knowledge and gender in the 18th century. In: Monika Lippke, Matthias Luserke-Jaqui, Nikola Roßbach (eds.): "bald zierliche Blumen - bald Nahrung des Verstands". Readings on Sophie von La Roche. Hannover: Wehrhahn 2008, pp. 105-121.
(26) Mediocrity and Mediality. Women's periodicals of the late 18th century - the example of Frauenzimmerbibliothek (1785). In: Lenz-Jahrbuch. Literature - Culture - Media 1750-1800 15 (2008), pp. 143-165.
(27) Knowledge Transfer - Lexicography - Gender: Gottlieb Siegmund Corvinus' Nutzbares, galantes und curieuses Frauenzimmer-Lexicon (1715, 1739, 1773). In: Sibylle Schönborn, Vera Viehöver (eds.): Gellert und die empfindsame Aufklärung. Wissens- und Kulturtransfer um 1750. Berlin: Erich Schmidt 2009, pp. 175-188.
(28) "A German Fontenelle?" Reflections on Franco-German cultural transfer based on translations of Bernard de Fontenelle's Entretiens sur la pluralité des mondes (1686). In: literatur für leser 32 (2009), H. 1, pp. 14-30.
(29) The Woman, the Man. Gender Dislocations in Malus Mulier Texts of the 17th and 18th Centuries. In: Gaby Pailer, Franziska Schößler (eds.): GeschlechterSpiel-Räume: Dramatik, Theater, Performance und Gender. Amsterdam, New York: Rodopi 2011, pp. 283-296.
(30) The Scientific Lecture. Dimensions of theatricality and knowledge. [Revised and slightly updated version of the inaugural lecture at the University of Kassel, held on 8/6/2011]
(31) "Zu besserer Begreiffung aller Materien". Knowledge Organization and Transmission in Georg Andreas Böckler, Architect & Engineer. In: Flemming Schock (ed.): Polyhistorismus und Buntschriftstellerei. Popular forms of knowledge and knowledge culture in the early modern period. Berlin, Boston: de Gruyter 2012, pp. 149-167.
(32) "die selbst-eigene Erfahrung zuhülffe nehmen": Der Maschinenbauer Jacob Leupold und die epistemische Zäsur um 1700, in: Frauke Berndt, Daniel Fulda (eds.): Die Sachen der Aufklärung. Contributions to the 2010 DGEJ Annual Conference in Halle an der Saale. Hamburg: Felix Meiner 2012, pp. 448-456.
(33) "Hieher kommen sie nie ... Das ist nämlich die 'Intime Bühne'!" The Audience of the Intimate Theater around 1900. In Hermann Korte, Hans-Joachim Jakob (eds.): "Das Theater glich einem Irrenhause". The Audience in 19th and 20th Century Theater. Siegen symposium on theater audience research. Heidelberg: Winter 2012, pp. 281-295.
(34) "of 50 gatt. Salat ist der beste, der von Versailles [...]". The garden as image, narrative space, and knowledge in Sophie von La Roche's Pomona. In: Helga Meise (ed.): Sophie von La Roche et Le savoir de son temps. Reims 2014, pp. 75-94.
(35) "Ich will, ich muss ein Bergmann seyn." Constellations of space and gender in the 18th century - using the example of Sidonia Hedwig Zäunemann's exploration of the Ilmenau mine. In: Lenz-Jahrbuch. Literature - Culture - Media 1750-1800 20 (2013), pp. 101-123.
(36) The Golden Key. Answer to the Magus Prize question 2013: "If the reader cannot do magic ... " What is the appeal and what is the point of trying to understand difficult texts? (Shortlist). Published in: Nikola Roßbach (ed.): Understanding Literature - What's the Point? 55 Answers. Hamburg: Igel 2015, pp. 247-259.
(37) "And how can I make a whole life out of half a life?" Letter, Book, Library. On the Basis of Scholarly History(s) in the 18th Century. In: Claudia Brinker-von der Heyde, Annekatrin Inder, Marie Isabelle Vogel, Jürgen Wolf (eds.): Early Modern Libraries as Centers of European Cultural Transfer. Stuttgart: Hirzel 2014, pp. 249-262.
(38) Machine Spaces. Technology and theater in the early modern period. In: Karin Friedrich (ed.): Die Erschließung des Raumes. Construction, Imagination and Representation of Spaces and Boundaries in the Baroque Era. Congress at the Herzog August Bibliothek Wolfenbüttel, 26-29.8.2009. Wiesbaden: Harrassowitz 2014, pp. 281-296.
(39) "in less than an hour I felt befriended": appropriation of foreign things in Goethe's Italian Journey. In: Claudia Brinker-von der Heyde, Nina Kalwa, Nina-Maria Klug, Paul Reszke (eds.): Eigentlichkeit. On the relationship between language, speakers, and the world. Berlin, New York: De Gruyter 2015, pp. 523-540.
(40) Psalm, Poetry, Preaching in the Baroque. Poetische Erquickstunden and the Bible. In: Ilse Müllner, Paul-Gerhard Klumbies (eds.): Bible and Culture. Leipzig: Evangelische Verlagsanstalt 2016 [in prep.].
(41) Work of art, water fairy tale, homeland: Lake Garda in 19th century German literature. In: Alessandra Lombardi, Lucia Mor, Nikola Roßbach (eds.): I tedeschi e il Garda: lingua, arte, comunicazione / Lake Garda and the Germans. Literature - Art - Communication. Frankfurt a.M.: Peter Lang 2016 [in prep.].
(42) Paul Maar's Potato Beetle Times and Realism. Reflections on workshop documents by the author. In: Paul Maar: Studies in Children's Literary Works (working title). Edited by Andreas Wicke and Nikola Roßbach. Nuremberg: Königshausen & Neumann 2017 [in prep.].
(43) Virtuoso Delays: Literary (In)Times in Schiller, in Lenz-Jahrbuch. Literature - Culture - Media 1750-1800 24 (2017), pp. 159-174.
(44) Lorenz Westenrieder, "Warum nüzt oft alles Schreiben so wenig, so gar nichts?" (1782). Edition with remarks on a shattering enlightener, in: Lenz-Jahrbuch. Literature - Culture - Media 1750-1800 24 (2017), pp. 77-96.
(45) Occasional Discourses of Gender in the Early Modern Period. The Wedding Poems of Sidonia Hedwig Zäunemann, in Joachim Harst, Christian Meierhofer (eds.): Ehestand und Ehesachen. Literary Appropriations of an Early Modern Institution. Zeitsprünge. Forschungen zur Frühen Neuzeit 22 (2018), ed. 1/2, pp. 180-201.
(46) The intangibility of the similar. German-language Italian literature between intercultural understanding and transcultural networking, in KulturPoetik 18 (2018), H. 2, pp. 137-157.
(47) The Perfect Crime. Meisterdiebe von Straparola über die Brüder Grimm bis zum Hollywood-Blockbuster, in: Holger Ehrhardt, Johann Friedrich Lange, Marie-Louise Lange, Christopher F. Schütz (eds.): Über Nachtfliegen, Zaunkönige und Meisterdiebe. New contributions to Grimm and fairy tale research. Kassel: kassel university press 2019, pp. 55-84 (with Matthias Ott).
(48) Rehe sind die besseren Menschen. Felix Saltens Bambi zwischen Weltflucht und Kulturkritik, in Barbara Beßlich, Cristina Fossaluzza (eds.): Kulturkritik der Wiener Moderne (1890-1938). Heidelberg: Winter 2019, pp. 297-312.
(49) Zensur Macht Zukunft. Reflections on the Ruler's Will to Plan in the Early Modern Period, in Florian Gassner, Nikola Roßbach (eds.): Zensur vom 16. bis zum 18. Jahrhundert: Concepts, Discourses, Practices. Special volume of the Journal of International German Studies. Frankfurt a.M.: Lang 2020, pp. 83-107.
(50) Dynamics of anti-Semitism and censorship. Old Policies of Repression, New Debates on Sagibility, in Stefan Greif, Turgay Kurultay, Nikola Roßbach (eds.): No End to Rumor. Anti-Semitism in Culture and Literature of the 20th and 21st Centuries. Kassel 2020, pp. 217-248.
(51) The Hero and the Censors. Ein ungleicher Kampf in der Vormärzpublizistik, in: Martina Bender, Susanne Schütz, Peter Grüttner (eds.): Nonkonformismus und Subversion. Festschrift in honor of Thomas Bremer. Wettin-Löbejün 2020, pp. 479-496.
(52) Staring Men. Male gazes and female images in 18th century novels and their illustrations: Wieland's Agathon, Goethe's Werther, and Schiller's Geisterseher, in: Lenz-Jahrbuch. Literatur - Kultur - Medien 1750-1800 27 (2021) [in prep.].
(53) Violence against Texts. Ein- und Übergriffe der Zensur, in: Mandy Dröscher-Teille, Till Nitschmann (eds.): Gewaltformen / Gewalt formen. Literature - visual arts - cultural performance. Paderborn: Fink 2021 [i. Dr.].
(54) "[...] the mists of dawn enveloped like white sheets the sick Paris [...]". Heinrich Heine's Cholera Report of 1832, in Angela Oster, Jan-Henrik Witthaus (eds.): From Pandemic to Literature. Berlin: mandelbaum 2021, pp. 43-56.
(55) How free is children's and youth literature? Formal and informal discourse norming, in: JuLit 22 (2022), H. 1, pp. 7-13.
(56) ... and yet it moves. Die Maschine des 17. Jahrhunderts als Ausstellungsmodell zwischen Funktionieren und Scheitern, in: Bettine Menke, Wolfgang Struck (eds.): Theatermaschinen - Maschinentheater. Of Mechanics, Machinations, and Spectacles. Bielefeld: transcript 2022, pp. 307-331, file:///C:/Users/Ro%C3%9Fbach/Documents/2022c/Pub/MASCHINE/PicotGotha/MenkeStruckTheaterMaschinenVolltext.pdf.
(57) "Pictures for domestic rooms and not works of art for admired galleries." Gotthelf Wilhelm Christoph Starke and his paintings in the context of 18th century debates on poetry theory, in: Lenz-Jahrbuch. Literature - Culture - Media 1750-1800 28 (2022), pp. 165-194.
(58) "as good as done"? Reflections on Censorship, Literary Processes, and Defamation through Literary Fiction, in: Eric Achermann, Daniel Arjomand, Nursan Celik (eds.): Lizensur fiktionaler Literatur. Modalities of epistemic, ethical, and aesthetic authorization processes. Stuttgart: Metzler [in prep.].
(59) SAID and Yamen Hussein: A Dialogue between Unknowns, in: Friedrich Block, Nikola Roßbach (eds.): Eins und doppelt. Literary Collaborations. Kassel: kup [in prep.].
(60) "nach Üweren eigenen Worten". Wiederholung als Verkehrung in Dyl Ulenspiegel, in: Nikola Roßbach, Angela Schrott (eds.): Wiederholung und Variation. Repetitive Patterns in Early Modern Conversations. Berlin, New York: de Gruyter [in prep.].
(1) Ibsen Parodies in Early Modernity. Ed. by Nikola Roßbach. Munich: Martin Meidenbauer 2005 (Context 1). Downloads: Contents - Rudolf Bernauer: Nora.
(2) Myth Oedipus. Texts from Homer to Pasolini. Ed. by Nikola Roßbach. Leipzig: Reclam 2005. Downloads: Contents - Epilogue.
(3) Caspar Gottschling: The State of Cockaigne. With commentary, afterword, and bibliography edited by Nikola Roßbach. Hannover-Laatzen: Wehrhahn 2007 (= Fundstücke 15). Download: excerpt
(4) Vienna Parodied. Theatertexte um 1900. ed. by Nikola Roßbach. Vienna: Praesens 2007.
(5) reflexA. Literary mirror scenes of women. Scientific database as part of the DaSinD Texte online project (Foundation for Women's Literature Research, University of Bremen), http://dasind.zait.uni-bremen.de/dasind2/recherche/index. php?action =reflexa [accessed 6 Oct. 2008].
(6) The lake went high with its blue, blue, oh, so lovely blue waves. Literature on Lake Garda from three centuries. Ed. by Nikola Roßbach. Vienna: Praesens 2014.
(7) Julia Virginia Scheuermann: Storm and Star [1905]. New edition, with an afterword. Hamburg: Igel 2017 (Literatinnen um 1900).
(8) Friederike Henkel: Die Herrin von Ibichstein. New edition, with an afterword. Hannover: Wehrhahn 2017.
(9) Hans Eisenträger: Der Mann seiner Frau. New edition, with an epilogue. Hannover: Wehrhahn 2018.
(10) Ferdinande von Brackel: Nicht wie alle Andern.New edition, with an afterword. Hannover: Wehrhahn 2019.
(11) Friedrich Wilhelm Held: Censuriana oder Geheimnisse der Censur. New ed. and with an afterword. Kassel: kassel university press 2019, https://www.uni-kassel.de/upress/online/OpenAccess/978-3-7376-0704-9.OpenAccess.pdf.
(1) Arthur Schnitzler and Richard Schaukal: Correspondences. Paper presented at the symposium "Richard von Schaukal (1874-1942)" at the University of Kassel, 28/29 April 2000.
(2) The End of Events: Arthur Schnitzler's "Therese." Lecture at the X. International Germanist Congress "Zeitenwende - Die Germanistik auf dem Weg vom 20. ins 21. Jahrhundert," Vienna, 10-16.9.2000.
(3) Salvation through Literature? Sinnentleerte Wirklichkeit und sprachliche Besinnung in Marie Luise Kaschnitz' lyrical cycles and essays 1945-1948. Lecture at the third Bremen autumn conference "Erfahrung nach dem Krieg. Autorinnen im Literaturbetrieb 1945-1950. Bundesrepublik - DDR - Österreich - Schweiz" at the University of Bremen, 5-7.10.2000.
(4) "Tormented by Imagination. Autobiographical Childhood Drafts in Marie Luise Kaschnitz. Paper presented at the conference "Für eine aufmerksamere und nachdenklichere Welt. Beiträge zu Marie Luise Kaschnitz," organized by the Institute for German Philology II of the Westphalian Wilhelms University of Münster and by the Catholic Social Academy Franz-Hitze-Haus, Münster, February 2-4, 2001.
(5) Angel or Demon. The Child in Prose Texts by Marie Luise Kaschnitz. Lecture at the conference "Lange Schatten. Zum 100. Geburtstag von Marie Luise Kaschnitz," organized by the Evangelische Akademie Tutzing and the Deutsches Literaturarchiv Marbach a.N., Marbach a.N., 16.-17.2.2001.
(6) "Mein Immernochda: First-person forms in the poetry of Marie Luise Kaschnitz. Lecture at the conference "Keine Fußspur im Sande. Kein Zweig geknickt," organized by the Evangelische Akademie Baden and the Literarische Gesellschaft Karlsruhe, Bad Herrenalb, March 2-4, 2001.
(7) Goethe and the art of gardening. Lecture to the Aachen Goethe Society, 21.6.2001.
(8) "C'est une femme qui parle." The literary portrait as a site of feminine self-dramatization in the 'Grand Siècle'. Guest lecture at the seminar "Gender-Aspekte in Literatur und Kultur der Frühen Neuzeit" (Prof. Dr. Burkhard Dohm) at Philipps-Universität Marburg, 5.2.2003.
(9) Schlaraffische Texte und Welten. On the Possibilities and Limits of a Cultural Studies in Literature. Habilitation lecture at the Technical University Darmstadt, 13.7.2005.
(10) "Stimmgemenge. Redefinitions of Theater, Text, and Genre in Helmut Krausser. Lecture at the conference "Vom Drama zum Theatertext? - On the Situation of Drama in Central Europe since the End of the 1990s" at LMU Munich, 3-7.10.2005.
(11) Glass. On the Aesthetics of Paul Scheerbart. Inaugural lecture at the Technical University Darmstadt, 20.4.2006.
(12) Hab' die Ehre! Theatrical Parody in the Viennese Fin de Siècle. Lecture at the 32nd International Nestroy Talks 2006 "Ah, das dalkete Dencken, is wircklich was Dumms". Raimund und Nestroy im Kontext internationaler Lachkultur," organized by the International Nestroy Center Schwechat and the International Nestroy Society, Schwechat, July 1-5, 2006.
(13) Gynaeceum, sive theatrum mulierum. Modeling femininity in encyclopedic knowledge theaters of the early modern period. Paper presented at the conference "Ordnung und Repräsentation von Wissen - Dimensionen der Theatrum-Metapher in der Frühen Neuzeit", University of Augsburg, 14-16.3.2007.
(14) Knowledge Transfer - Lexicography - Gender: Siegmund Gottlieb Corvinus' Nutzbares, galantes und curieuses Frauenzimmer-Lexicon (1715, 1739, 1773). Lecture at the conference "Gellert und die empfindsame Aufklärung. Knowledge and Cultural Transfer around 1750," Gleimhaus Halberstadt, July 4-7, 2007.
(15) Picking Flowers. Images and Education in Sophie von La Roche's Women's Magazine Pomona. Notes on knowledge and gender in the 18th century. Paper presented at the Sophie von La Roche Conference at the Technical University of Darmstadt, July 19-20, 2007.
(16) "Faust fin de siècle." Goethe parodies in early modernism. Lecture to the Kassel Goethe Society, 8/30/2007.
(17) The implicit reader? Knowledge and Gender in Women's Information Media of the 18th and 19th Centuries. Guest lecture at the University of Hamburg, 22.1.2008.
(18) The Woman, the Man. Gender Dislocations in the Theatrum Malorum Mulierum (1700) and Other 'Malus Mulier' Texts of the 17th and 18th Centuries. Paper presented at the International Conference of the Association FriedeL "Geschlechter Spiel Räume: Dramatik, Theater, Performance und Gender" at the University of Bremen, 6-9.11.2008.
(19) The Siemann and Other Monsters. On the Dissolution of Gender in the Early Modern Period. Lecture at the Interdisciplinary Research Colloquium Gender Studies "Representations of Difference" at Leibniz Universität Hannover, 15.12.2008.
(20) Literature and Knowledge in the Early Modern Period. Lecture at the research colloquium "Medicine and Religion in Literature and Culture of the Early Modern Period" by Prof. Dr. Burkhard Dohm at Philipps-Universität Marburg, 25.6.2009.
(21) Machine Spaces. Technology and Theater in the Early Modern Period. Lecture at the congress "Die Erschließung des Raumes. Construction, Imagination and Representation of Spaces and Boundaries in the Baroque Era." at Herzog August Bibliothek Wolfenbüttel, 26-29.8.2009.
(22) Parody as literary criticism at the beginning of the 20th century. Lecture in the context of the seminar "Literary Criticism in the Early 20th Century" by Prof. Dr. Ariane Martin at the Johannes Gutenberg University Mainz, 16.12.2009.
(23) World and Knowledge on Stage. Workshop talk at the Herzog August Bibliothek Wolfenbüttel, 25.2.2010 (together with Dr. Thomas Stäcker, deputy director of the Herzog August Bibliothek).
(24) Life Lies, Happiness and Truth. Foyer talk 6 on the occasion of the "Werkschau: Ibsen" of the Erlanger Markgrafentheater, Erlangen, 2.5.2010 (further contributors: Katja Ott, Prof. Dr. Michael von Engelhart, Prof. Dr. Hubert Seelow).
(25) Poietic Machines. On the Staging of Communicative Spaces in the Baroque Era. Lecture at the XII. Congress of the International Association for German Studies, Warsaw, 30.7.-7.8.2010.
(26) "die selbst-eigene Erfahrung zuhülffe nehmen": Der Maschinenbauer Jacob Leupold und die epistemische Zäsur um 1700. Lecture at the DGEJ annual conference "Die Sachen der Aufklärung", Halle, 30.9.-3.10.2010.
(27) To the art-loving reader. Reception models of early modern knowledge literature. Evening lecture at the Interdisciplinary Workshop "Representation, Knowledge and the Public Sphere. Bibliotheken zwischen Barock und Aufklärung" of the DFG project "Die Fürstenbibliothek Arolsen als Kultur- und Wissensraum vom 16. bis zum frühen 19. Jahrhundert und ihre Einflüsse auf Genese, Formung und Identität des Fürstenstaats", Arolsen, 29-30.9.2010.
(28) "Mit herzlicher Verträglichkeit" - Zur Utopie religiöser Toleranz im 18. Jahrhundert. Lecture at the spring conference "Gehört der Islam zu Deutschland?" of the Political Club of the Protestant Academy Tutzing, Tutzing, 18-20.3.2011.
(29) "Hieher kommen sie nie... Das ist nämlich die 'Intime Bühne'!" The Audience of the Intimate Theater around 1900. Paper presented at the Siegen Symposium on Theater Audience Research, "Das Theater glich einem Irrenhause. Das Publikum im Theater des 18. und 19. Jahrhunderts," Siegen, 7-9.4.2011.
(30) Leibniz' theatrum naturae et artis - the theatricality of knowledge in the early modern period. Lecture at the lecture series "Leibniz und die Aufklärungskultur", University of Hannover, 11.5.2011.
(31) "comic song and dance". On the theatricality of the scientific lecture. Inaugural lecture at the University of Kassel, 8.6.2011.
(32) Early modern squatters and other monsters - on constellations of gender and space in marriage texts of the 16th and 17th centuries. Lecture at the DFG-Graduiertenkolleg 1599 "Dynamics of Space and Gender" at the University of Göttingen, 5.12.2011.
(33) "And how can I make a whole life out of half a life?" Letter, Book, Library. On the Basis of Scholarly History(s) in the 18th Century. Paper presented at the conference "Early Modern Libraries as Centers of European Cultural Transfer" of the DFG project "Die Fürstenbibliothek Arolsen als Kultur- und Wissensraum vom 16. bis zum 19. Jahrhundert und ihre Einflüsse auf Genese, Formung und Identität des Fürstenstaats," University of Kassel, 16-18.2.2012.
(34) Nothing New in the East. Marco Polo discovers Cuccagna. Lecture at the Universitá Cattolica del Sacro Cuore Brescia, 2.5.2012.
(35) "of 50 gatt. Salad is the best, that of Versailles [...]". The garden as image, narrative space and knowledge in Sophie von La Roche's Pomona. Paper presented at the colloquium "Sophie von La Roche et Le savoir de son temps," Université de Reims Champagne-Ardenne, 9-10 Nov. 2012.
(36) Possibilities and structures of networked knowledge. Paper presented at the thematic colloquium of the Forschungsverbund Marbach Weimar Wolfenbüttel, 13-15.2.2013.
(37) Mutter-Mahle: female oversights in 18th century lexicographic literature. Paper presented at the conference "Cultural Concepts of Prenatal Imprinting from the Early Modern to the Modern Period," Philipps-Universität Marburg, 10-11.10.2013.
(38) Space and gender in 18th century literature: Sidonia Hedwig Zäunemann and Sophie von La Roche. Lecture at the DFG-Graduiertenkolleg 1599 "Dynamics of Space and Gender" at the University of Kassel, 18.11.2013. (together with Helga Meise).
(39) Pure pleasure? Pills, sugar, and early modern entertainment literature. Paper presented at the workshop "Männiglichen zur Erlustigung und erlaubeter Ergetzlichkeit. Knowledge Organization and Knowledge Transmission in the Variegated Literature of the Early Modern Period," LMU Munich, March 28-29, 2014.
(40) Work of art, water fairy tale, homeland: Lake Garda in 18th and 19th century German literature. Lecture at the Università Cattolica del Sacro Cuore Brescia, 28.4.2014.
(41) "nach Tisch/ in Lustgärten/ vber Feldt/ auf Rollwaggen/ oder in Schiffen". Reading spaces for refreshment in the 16th century. Paper presented at the colloquium "artes populares - Media, Genres, Spaces. Literarische Unterhaltung in der Frühen Neuzeit," University of Cologne, Wahn Castle, Sept. 10-11, 2014.
(42) Psalm, Poetry, Sermon in the Baroque. Poetic hours of refreshment and the Bible. Lecture in the context of the lecture series "Bible and Culture" at the University of Kassel, 3.12.2014.
(43) The lake went high with its blue, blue, oh, so lovely blue waves. Literature on Lake Garda from three centuries. Lecture at the Ateneo di Salò (cooperation with Università Cattolica del Sacro Cuore Brescia), 30.3.2015.
(44) More or Less Europe. European practices and discourses in the 17th century. Lecture in the series "On the European cultural (en)community: Europe in the perspectives of its countries" of the FB 2 of the University of Kassel, 22.4.2015.
(45) Der Gardasee ist ein Kompendium Italiens für den Teutschen. Literary images of Italy from the 18th century to the present. Lecture at the 1st Italientag of the University of Kassel, 1.7.2015.
(46) Schillers Verspätungen. Lecture at the conference "Schillers Zeitbegriffe" in Leipzig, 9-11.6.2016.
(47) The Perfect Crime. Master thieves from Straparola via the Brothers Grimm to the Hollywood blockbuster. Lecture in the context of the lecture series "Gegenwärtige Tendenzen der Grimmforschung" of the FB 2 of the University of Kassel, 14.6.2016 (with Matthias Ott).
(48) "Die gantze Machine ist ebenfals gantz schlecht". Frühneuzeitlicher Wissenstransfer von italienischen zu deutschen Maschinenbüchern am Beispiel der Ramelli-Rezeption des 17. und 18. Jahrhunderts. Lecture at the 2nd Italientag of the University of Kassel: Wissenschaften und Künste aus Italien. Cultural Transfer from South to North from the Late Middle Ages to the 20th Century, 23.6.2016.
(49) fREADom. Perspectives on forbidden literature. Panel discussion of the literary center Göttingen, 8.6.2017 (with Murad Erdemir, Sascha Feuchert, Frank Schäfer).
(50) What do we care about truth? Science between postfacts, bullshit and fake news. Kassel positions from biology, literary studies, philosophy, linguistics and water management. Lecture in the context of the lecture series "Higher Education - The University in Reality and Fiction" of the FB 2 of the University of Kassel, 31.5.2017 (with Friedrich W. Herberg, Angela Schrott, Dirk Stederoth, Stephan Theobald).
(51) Censorship. New theses on an old topic. Lecture in the context of the MWW-Verbund, Herzog-August-Bibliothek Wolfenbüttel, 21.11.2018.
(52) Behind the Words. Meinungs- und Pressefreiheit im Gespräch - Freedom of Expression on the Net. Panel discussion of the Hessian Literature Council and the Literaturhaus Nordhessen, Kassel, 15.5.2018 (with Jens Nähler, Maria Grüning).
(53) Is the #metoo debate changing our media culture? - Reporting between accusation and presumption of innocence. Panel discussion of the Presseclub Kassel e.V., Kassel, 13.6.2018 (with Andrea Boesken, Bascha Mika).
(54) Deer are the better people. Felix Salten's Bambi between escapism and cultural criticism. Paper presented at the conference "Cultural Criticism of Viennese Modernism (1890-1938)" at the University of Venice, 24-28.9.2018.
(55) "Literature meets Politics" - Panel Discussion. Graf Agency & Graf, Berlin, August 2018 (with Maria Cecilia Barbetta).
(56) "Attention Censorship." Panel discussion. Literaturhaus Berlin, September 18, 2018 (with Harald Asel).
(57) Panel discussion on "Censorship." FREEART #FREEOPINION #FREEEUROPE. Kulturempfang der Sozialdemokratie, Berlin, 9/24/2018 (with Thorsten Schäfer-Gümbel, Chairman of the SPD Cultural Forum).
(58) Italy is different. Really? Questions for German-language Italian literature. Lecture at the 5th Italientag of the University of Kassel: Gefälschtes Italien. Phantasms and Fakes in Art, Literature, Philosophy, and History, Kassel, June 24, 2019.
(59) Censorship today: analog and digital. Lecture at globale - festival for literature across borders, Bremen, 20.10.2020.
(60) "as good as done"? Reflections on censorship, literary processes, and defamation through literary fiction. Paper presented at the conference "Lizensur fiktionaler Literatur. Modalities of Epistemic, Ethical and Aesthetic Authorization Processes" of the SFB 1385 "Law and Literature" at the Westfälische Wilhelms-Universität Münster, 30.6-2.7.2021.
(61) SAID and Yamen Hussein: A Dialogue between Unknowns. Paper presented at the conference "'One and Double: Literary Collaborations'. Colloquium in honor of the 100th birthdays of Christine Brückner and Otto Heinrich Kühner - and in the context of the 50th birthday of the University of Kassel," Goethe's PostamD in Kassel, 10/11/9/2021.
(62) "nach Üweren eigenen Worten. Wiederholung als Verkehrung in Dyl Ulenspiegel. Paper presented at the conference "Wiederholung und Variation. Repetitive Patterns in Conversations of the Early Modern Period," University of Kassel, 11-14.10.2021.
(63) Panel discussion on "Verstehen und Deuten: Necessity and Power" at the Frankfurt Debate on Language "Verstehen und Übersetzen: Aneignung fremder Identität?", organized by the German Academy for Language and Poetry, Frankfurt, 18.11.2021.
(64) How free is children's and youth literature? Formal and informal discourse norming. Paper presented at the conference "Cancel Literature. Old and New Limits of the Representable" of the Arbeitskreis für Jugendliteratur, Siegburg, 19.-21.11.2021.
(65) Atemnot - zu alten und neuen Unfreiheiten der Rede. Lecture at the conference "Neu, Atem, neu" of the Kultum Graz, 12.11.2021.
(66) From Kassel to the World. Salomon Hermann Mosenthal (1821-1877) and Louis Rosenthal (1846-1921). Lecture at the Society for Christian-Jewish Cooperation e.V. Kassel [in preparation].
(67) "Only the Great, Wild, Shining Pleases Me." Women in Romanticism. Lecture with reading at Kloster Flechtdorf (Readers: Marcus Angebauer, Heiko Schimmelpfeng), 9.9.2022 (Kloster Flechtdorf) and 23.11.2022 (Stadtbibliothek Kassel).
(1) 2001-2008: metaphorik.de. The online journal on metaphor in language, literature, media. Bonn 2001ff. Since July 2007, edited in Hannover: Wehrhahn. Co-edited by Hildegard Clarenz-Löhnert, Martin Döring, Klaus Gabriel, Katrin Mutz, Dietmar Osthus, Claudia Polzin-Haumann, Judith Visser.
(2) Lenz-Jahrbuch. Literature - Culture - Media 1750-1800. st. Ingbert: Röhrig 1991-2018, Hannover: Wehrhahn 2019ff. Edited since Jg. 15/2008. co-edited 2008-2012: Matthias Luserke-Jaqui, Ariane Martin, from 2013: Ariane Martin, Georg-Michael Schulz.
(3) Meteore. Hannover 2009ff. co-edited by Alexander Košenina, Franziska Schößler. Series of biobibliographical author books.
(4) Dynamics of space and gender. Bielefeld 2014ff. Co-edited by Rebekka Habermas. Schriftenreihe.
(1) Gewalt in Literatur und Lebenswelt: eine Auswahlbibliografie. In: Der Deutschunterricht 52 (2000), H. 6, pp. 88-91.
(2) Robert Musil: Bibliography 1994-2001. In: Musil-Forum. Studies in the Literature of Classical Modernism 27 (2001/2002), pp. 289-330.
(together with Catherine Janssen and Johanna May).
(3) Sophie von La Roche: Bibliography 1992-2007. In: Monika Lippke, Matthias Luserke-Jaqui, Nikola Roßbach (eds.): "bald zierliche Blumen - bald Nahrung des Verstands". Readings on Sophie von La Roche. Hannover: Wehrhahn 2008, pp. 169-192.
(4) Robert Musil Bibliography 2002-2008. in: Musil-Forum. Studies in the Literature of Classical Modernism 30 (2007/2008), pp. 257-293.
(5) Jakob Michael Reinhold Lenz. Bibliography 2005-2010. In: Lenz-Jahrbuch. Literature - Culture - Media 1750-1800 17 (2010), pp. 135-148.
World and Knowledge on Stage. Theatrum literature of the early modern period. Repertory. Edited by Nikola Roßbach and Thomas Stäcker. Wolfenbüttel: Herzog August Bibliothek 2011.
(1) A.C.M.: Schauplatz Einer vollständigen und leicht begreiffenden Frantzösischen Sprachkunst.
(2) Amman, Jost: Gynaeceum, sive Theatrum mulierum
(3) Anonymous: War Theatrum in Italy
(4) Anonymous: Newly published Complementir- and Liebes-Theatrum
(5) Anonymous: Newly-performed Show-Play Or warhaffte Love-Story
(6) Anonymous: Pomeranian War-Theatrum
(7) Anonymous: Showplace of all things
(8) Anonymous: Theatrum Malorum Mulierum
(9) Besson, Jacques: Theatrum Instrumentorum Et Machinarum
(10) Böckler, Georg Andreas: Theatrum Machinarum Novum
(11) Ceumern, Caspar von: Theatridium Livonicum
(12) Collin, Friedrich Eberhard: Miracle-full scene of The Holy Martyrs
(13) Dahlmann, Peter: The Scene of the Masquist and Demasquist Scholars
(14) Dieussart, Charles Philippe: Theatrum Architecturae Civilis
(15) Eißlingen, Christoph: Breviarium Itineris Italiae
(16) Hertel, Hans Georg: Newly opened Geometrical Schaw- and Mässe Square
(17) Hueber, Ivo: Theatrum Annuum Historico-Morale Heroinarum
(18) Justi, Johann Heinrich Gottlob von: Showplace of the Arts and Crafts
(19) Kramer, Matthias: Allgemeiner Schau-Platz/ auf welchem [...] vorgestellet wird die Teutsche und Italiänische Benennung aller Haupt-Dinge der Welt
(20) Kunze, Carl Sebastian Heinrich: Showplace of the most useful machines
(21) Leupold, Jacob/Joachim Ernst Scheffler: Theatri Machinarum Supplementum
(22) Leupold, Jacob: Theatrum Machinarum Hydraulicarum
(23) Leupold, Jacob: Theatrum Staticum
(24) Liger, Louis: Nouveau Theatre D'Agriculture Et Menage Des Champs
(25) Meuschen, Johann Gerhard: Courieuse Schau-Bühne Durchläuchtigst-Gelahrter Dames
(26) Misson, Maximilian: Holy Show-Place Of The Countryside Cevennes
(27) Mollet, Claude: Theatre Des Plans Et Iardinages
(28) Pirckheimer, Willibald: Theatrvm Virtvtis & Honoris
(29) Polus, Timotheus: Lustiger Schauplatz/ Da allerley Personen/ Aempter/ Stände/ Künste/ Händel/ Gewerbe vnd Handwercke/ Wie auch derselben Anfänger/ Erfinder vnd Vermehrer beyeinander sind
(30) Reyher, Andreas: Theatrum Latino-Germanico-Graecum
(31) Saur, Abraham: Theatrum De Veneficis
(32) Schmid, J.F. (Mercurius): Showplace of the Dantzenden
(33) Schmidt, Christian Heinrich: Kleiner Schauplatz des bürgerlichen Gewerbfleißes (Small Showplace of the Civic Crafts)
(34) Schmolck, Benjamin: Holy Show-Place of Love
(35) Serres, Olivier de: Theatre D'Agricvltvre Et Mesnage Des Champs
(36) Stridbeck, Johann: Curioses Staats und Kriegs Theatrvm Dermahliger Begebenheiten im Tyrol
(37) Stridbeck, Johann: Curioses Staats und Kriegs Theatrvm Dermahliger Begebenheiten in Bayern
(38) Stridbeck, Johann: Curioses Staats und Kriegs Theatrvm Dermahliger Begebenheiten in Francken und Schwaben
(39) Stridbeck, Johann: Theatrum Der Vornehmsten Kirchen Clöster Pallæst u: Gebeude in Chur F. Residentz City of Munich
(40) Thomae, Johannes: Trawriger Schawplatz Des im Jahre 1642. belagerten Leipzigs
(41) Van der Horst, Tileman /Jacob Polley: Theatrum Machinarum Universale; Of Keurige Verzameling van verscheide grote en zeer fraaie Waterwerken
(42) Van der Horst, Tileman: Theatrum Machinarum Universale; Of Nieuwe Algemeene Bouwkunde
(43) Zeising, Heinrich/Hieronymus Megiser: Theatrum Machinarum
(44) Zencker, Johann Samuel: Frantzösischer Soldaten-Teufel/ Described: und Auff den Schauplatz Teutschlandes auffgeführet
(45) Zinner, Mathias Ignatius: The General Curriculum Vitae and Showplace of this World
(46) Zonca, Vittorio: Novo Teatro Di Machine Et Edificii
(47) Zyl, Jan van: Theatrum Machinarum Universale; Of Groot Algemeen Moolen-Boek
(1) Afterword, in: Nikola Roßbach (ed.): Ibsen-Parodien in der frühen Moderne. Munich: Martin Meidenbauer 2005 (Context 1), pp. 233-239.
(2) Afterword. On the history of the Oedipus myth. On the selection of texts, in: Nikola Roßbach (ed.): Mythos Ödipus. Texts from Homer to Pasolini. Leipzig: Reclam 2005, pp. 163-170.
(3) Afterword, in: Caspar Gottschling: The State of Cockaigne. With commentary, afterword, and bibliography edited by Nikola Roßbach. Hannover-Laatzen: Wehrhahn 2007 (= Fundstücke 15), pp. 65-99.
(4) Afterword, in: Nikola Roßbach (ed.): Wien parodiert. Theatertexte um 1900. With epilogue and appendix. Vienna: Praesens 2007, pp. 312-316.
(5) Damenphilosophie. In: Wikipedia. The free encyclopedia [posted August 2007].
(6) Dagmar Leupold. In: Wilhelm Kühlmann (ed.): Killy Literaturlexikon. Authors and works of the German-speaking cultural area. 2nd, completely revised ed. Berlin, New York: de Gruyter 2010, vol. 7, pp. 378f.
(7) August Wilhelm Iffland: Frauenstand. In: Mark-Georg Dehrmann, Alexander Košenina (eds.): Ifflands Dramen. Ein Lexikon. Hannover: Wehrhahn 2009, pp. 91-93.
(8) August von Kotzebue: Das Urtheil des Paris. A Heroic Comedy. In: Johannes Birgfeld, Julia Bohnengel, Alexander Košenina (eds.): Werklexikon. Dramen August von Kotzebue. Hannover: Wehrhahn 2011, p. 228f.
(9) August von Kotzebue: Sultan Bimbambum oder der Triumph der Wahrheit. Eine moralische Heroi-Tragi-Comödia. In: Johannes Birgfeld, Julia Bohnengel, Alexander Košenina (eds.): Werklexikon. Dramen August von Kotzebue. Hannover: Wehrhahn 2011, pp. 208-211.
(10) Germanistik als Möglichkeitswissenschaft, in: 40 Jahre Universität Kassel. Nature, Technology, Culture, Society. Ed. by the Presidium of the University of Kassel. Kassel 2011, pp. 140ff.
(11) Pippi Longstocking, in: Stephanie Wodianka, Juliane Ebert (eds.): Metzler Lexikon moderner Mythen. Stuttgart, Weimar: Metzler 2014, pp. 294-297.
(12) The Compendium of Italy for the German. Der Gardasee in der deutschen Literatur, in: Nikola Roßbach (ed.): Der See ging hoch mit seinen blauen, blauen, ach, so reizend blauen Wellen. Literature on Lake Garda from Three Centuries. Vienna: Praesens 2014, pp. 473-477.
(13) Introduction, in: Alessandra Lombardi, Lucia Mor, Nikola Roßbach (eds.): Reiseziel Italien. Modern Constructions of Cultural Knowledge in Literature - Language - Film. Frankfurt a.M. [u.a.]: Lang 2014, pp. 11-20 (with Alessandra Lombardi, Lucia Mor).
(14) Introduction, in Alessandra Lombardi, Lucia Mor, Nikola Roßbach (eds.): Lake Garda and the Germans. Literatur - Kunst - Kommunikation. / I Tedeschi e il Garda. Letteratura - Arte - Comunicazione. Frankfurt a.M. [u.a.]: Lang 2016. pp. 7-27 (with Alessandra Lombardi, Lucia Mor).
(15) "All meine Kräfte stehn im Zenith!" Julia Virginia Scheuermann and her poetry collection Sturm und Stern, in Julia Virginia Scheuermann: Sturm und Stern [1905]. New edition, with an afterword ed. by Nikola Roßbach. Hamburg: Igel 2017, pp. 125-137.
(16) Justus Möser, in: Matthias Luserke-Jaqui (ed.): Handbuch Sturm und Drang. Berlin: Akademie 2017, pp. 161-165.
(17) Justus Möser: Patriotische Phantasien, in: Matthias Luserke-Jaqui (ed.): Handbuch Sturm und Drang. Berlin: Akademie 2017, pp. 543-548.
(18) Justus Möser: Über die deutsche Sprache und Literatur. Schreiben an einen Freund, in: Matthias Luserke-Jaqui (ed.): Handbuch Sturm und Drang. Berlin: Akademie 2017, pp. 605-608.
(19) "Yes, if nature had made me a man! [...] How independently I wanted to shape my existence!" Friederike Henkel and The Lady of Ibichstein. Afterword, in: Friederike Henkel: Die Herrin von Ibichstein. New edition, with an afterword ed. by Nikola Roßbach. Hannover: Wehrhahn 2017, pp. 281-293.
(20) Luise. In: Susanne Bach (ed.): Affen im Hörsaal. 95 wahnwitzige Uni-Geschichten. Würzburg: Gemma 2017, pp. 46f.
(21) Aufklärung, in: Julia Freytag, Inge Stephan, Hans-Gerd Winter (eds.): J.M.R. Lenz Handbuch. Berlin, New York: de Gruyter 2017, pp. 307-314.
(22) By way of introduction, in Kleines Kasseler Literatur-Lexikon. Autorinnen und Autoren. Ed. by Nikola Roßbach. Hannover: Wehrhahn 2018, pp. 5-9.
(23) Ein Blick in den gähnenden Abgrund. Afterword, in: Hans Eisenträger: Der Mann seiner Frau. New edition, with an afterword ed. by Nikola Roßbach. Hannover: Wehrhahn 2018, pp. 55-65.
(24)The University as a Sanctuary? An Essay on Freedom of Expression and Censorship, in: publik. Magazin der Universität Kassel 41 (18.12.2018), pp. 18f.
(25) "fremd unter seines Gleichen, fremd auf dem eigenen Gebiet, unverständlich für so Viele": Ringen um die weibliche Identität in Ferdinande von Brackel's Prosa. Afterword, in: Ferdinande von Brackel: Nicht wie alle Andern. New edition, with an afterword ed. by Nikola Roßbach. Hannover: Wehrhahn 2019, pp. 151-164.
(26) There is no censorship. Or? New Challenges to Article 5 GG, in: Politics & Culture. Theme issue: 70 years of the Basic Law, 4/2019, p. 18.
(27) "O this censorship! this god-forsaken, hopeless, despotic, dishonoring, criminal, stupid censorship!" Friedrich Wilhelm Held's Censuriana (1844), in Friedrich Wilhelm Held: Censuriana oder Geheimnisse der Censur. Newly edited and with an afterword by Nikola Roßbach, Kassel: kassel university press 2019, pp. 274-285.
(28) Introduction, in Florian Gassner, Nikola Roßbach (eds.): Zensur vom 16. bis zum 18. Jahrhundert: Concepts, Discourses, Practices. Special volume of the Journal of International German Studies. Frankfurt a.M.: Lang 2019, pp. 5-12 (with Florian Gassner).
(29) Introduction, in Stefan Greif, Turgay Kurultay, Nikola Roßbach (eds.): No End to Rumor. Anti-Semitism in Culture and Literature of the 20th and 21st Centuries. Ed. with Stefan Greif, Turgay Kurultay. Kassel: kup 2020 pp. 7-19 (with Stefan Greif and Turgay Kurultay).
(30) Freedom in Breathing Trouble, in: Censored! The History of Freedom of Expression from the Middle Ages to the Present. ZEIT Magazin Geschichte 2021, H. 2, pp. 14-19.
(31) Gottschling, Caspar, in: Frühe Neuzeit in Deutschland 1620-1720. Literaturwissenschaftliches Verfasserlexikon. Ed. by Stefanie Arend et al. Berlin, Boston: de Gruyter 2021, vol. 3, sp. 460-471.
(32) Censorship in Democracies. Ein Gespräch, in: Nicht lesen! Journal for the History of Ideas XVI, Spring 2022, h. 1, pp. 11-22.
(33) Evening Reflections of a Night Watchman, in: Hendrikje Schauer, Marcel Lepper (eds.): Night Shift. A Dictionary of Midnight. München, Weimar 2022, pp. 10-12 [on Gotthelf Wilhelm Christoph Starke].
(34) The Machine and Aesthetics in the Baroque, in: Oper und Tanz. Zeitschrift für Musiktheater und Bühnentanz (2022), H. 4/5, pp. 19-21 [partial reprint of "Poeisis der Maschine"].
(35) Paul Maar, in: Lothar Bluhm, Stefan Neuhaus (eds.): Handbuch Märchen. Stuttgart 2022 [in preparation].
Small Kassel Encyclopedia of Literature. Authors. Ed. by Nikola Roßbach. Hannover: Wehrhahn 2018.
Articles on the following authors were written by me for the encyclopedia:
(1) Aderholdt, August Eduard (1828-1890)
(2) Albrecht, Hans (1873-1944)
(3) Albrecht, Richard (1864-?)
(4) Altmüller, Hans (1865-1932)
(5) Altmüller, Karl (1833-1880)
(6) Appelius, Wilhelm (1773[78]-1842)
(7) Artzt, Meta (c. 1900)
(8) Ausfeld, Karl (1845-1907)
(9) Bacheracht, Therese von (1804-1852)
(10) Baum, Caspar (d. 1702)
(11) Bechtel, Helene(1866-? [after 1909])
(12) Beelitz, Ilse (1870- after 1919)
(13) Bender, Georg (1669-1728)
(14) Bennecke, Wilhelm (1846-1906)
(15) Berend-Groa, Ilse; Fogarasi Bélané (1885-1972)
(16) Berlepsch, Karl Freiherr von (1882-1955)
(17) Bertelmann, Heinrich (1866-1920)
(18) Biernatzki, Karl Johann Christoph (1849-1935)
(19) Biernatzki, Karl Leonhard (1815-1899)
(20) Bode, Friedrich Wilhelm Adolf (1856-1932)
(21) Bodenhausen, Hermann Bodo Freiherr von (1856- c. 1934)
(22) Böttger, Christoph Heinrich (1737-1781)
(23) Brackel, Engelbert von (1830-1903)
(24) Brackel, Ferdinande Freiin von (1835-1905)
(25) Brackel, Franz Karl Freiherr von (1875-?)
(26) Bramer, Jeanette (1845-1922)
(27) Brandis, Christoph (1600-1668)
(28) Brauer, Emma (1841-1919)
(29) Braun, Hans (1869-1941)
(30) Braun, Julius Wilhelm (1843-1895)
(31) Braun, Luise (Ps. W. Urban)(1848-1902)
(32) Braun, Otto (1824-1900)
(33) Brauns, Carl Eduard (1793-1846)
(34) Brede, Philipp Ferdinand (1781-1807)
(35) Brentano, Fritz (1840-1914)
(36) Brenzel, Josephine (before 1854/55-1927/28?)
(37) Buch, Johannes (1515-1599)
(38) Buchmann, Gottfried (1884-1972)
(39) Büstorff, Gertrud, pseud. Georg Mengs (1861-1936)
(40) Cagnel, François (1686-? [after 1748])
(41) Calenberg, Philippine Sophie von (1765-1848)
(42) Cauer, Luise (1826-1894)
(43) Coester, Berta Sophie (1849-1908)
(44) Cohn, Else (1881-1988)
(45) Cramer, Friedrich Gottfried Matthias (1779-1836)
(46) Crocius, Johannes (1590-1659)
(47) Cruciger, Georg (1575-1637)
(48) Crug, Johann Daniel (1625-1704)
(49) Curtius, Sebastian (1620-1684)
(50) Darmstädter, August (1732-? [after 1773])
(51) Demandowski, Axel von (1867-1929)
(52) Dick, Johann Tobias (1746-1786)
(53) Diede, Charlotte née Hildebrand (1769-1846)
(54) Diederich, Ernestine (1843-1906)
(55) Dietz, Paul (1875- after 1920)
(56) Drigalski, Liesbet von (1877-1962)
(57) DuFais, Henri (1874-?)
(58) Egloffstein, Heinrich .A. Ch. von (1790- after 1830)
(59) Eisenträger, Hans (1861-1933)
(60) Ende, Heinrich von (1847-1879)
(61) Engelbrunner, Wynandine Gertrud (Nina)
d'Aubigny von (1770-1847)
(62) Engelhard, Karl (1879-1914)
(63) Engelhard, Wilhelm (1886-)
(64) Engelhardt, Ewald (1879-1976)
(65) Essen, Dorothea von (1880- after 1937)
(66) Falckenheiner, Wilhelm (1821-1892)
(67) Feldmann, Karl Anthon Matthias (1822-1853)
(68) Finck, Karl (1814-1890)
(69) Fisher, Theodor Gideon (1867-1939)
(70) Fliedner, Lina (1878- after 1937)
(71) Flöthe, Justus (1854- after 1910)
(72) Franke, Eduard (c. 1806- after 1864)
(73) Frankenberg and Ludwigsdorf, Friedrich Elliot von (1889-1950)
(74) Frederking, Hugo (1846-1908)
(75) Frehse, Ernst (1876-after 1924)
(76) Fritzsche, Anna, Ps. A. Mercator (1866-after 1913)
(77) Fuchs, Thomas (b. 1964)
(78) Gammius, Olga (1881-1965)
(79) Gelling, Hans (1858-1911)
(80) Goldscheider, Paul (1854- after 1913)
(81) Gonnermann, Ella (1879-1930[?])
(82) Gräfe, Heinrich (1802-1868)
(83) Gräfe, Julius (1852-1897)
(84) Grebe, Eduard Rudolf (1843-1927)
(85) Groschuf, Friedrich (1701-1784)
(86) Großmann, Gustav Friedrich Wilhelm (1746-1796)
(87) Gutekunst, Karl Otto Wilhelm (1868-1955)
(88) Haase, Hermann (1845- after 1909)
(89) Haendler, Otto (1851-1929)
(90) Hartmann, Julius (1821-1892)
(91) Henkel, Friederike (1827-1910)
(92) Hieronymus, Karl Ernst Wilhelm (1856-?)
(93) Hinnius, Anna (1848-1911)
(94) Hoester, Christoph Philipp (1721-1749?)
(95) Hoffbauer, Jochen (1923-2006)
(96) Holzschuher, Hanns (1874-1912)
(97) Horstig, Susanna (1768-1845)
(98) Hünerbein, Charlotte von (1855-1925)
(99) Ihring, Henrich Nicolaus (1663-1718)
(100) Ihringk, Nikolaus Wilhelm (1699-1757)
(101) Iseke, Hermann (1856-1907)
(102) Ising, Wilhelm von (1821-1892)
(103) Jacob, Bruno (1881-1954)
(104) Jacobi, Emil (1868-1915)
(105) Janke, Gustav Theodor Erich (1878-1940 [?])
(106) Jerusalem, Peter (1877-1954)
(107) Jochem, Adam (1875- after 1922)
(108) Joeckel, Alfred (1882- after 1934)
(109) Jordan, Sylvester (1792-1861)
(110) Juncker von Ober-Conreut, Elisabeth (1870-1940/48)
(111) Kattner, Emma (1844-1899)
(112) Katzenstein, Louis (1824-1907)
(113) Keiter, Therese (1859-1925)
(114) Kellner Georg Christoph (1765-1808)
(115) Kern, Irmgard (1870-1963)
(116) Kette, Hermann (1828-1908)
(117) Kläger, Friedrich Wilhelm (1817-1875)
(118) Kophamel, Luise (1869- after 1930)
(119) Kranz, Johann Heinrich (1866-1931)
(120) Kreiß, Gottlob Karl Johann (1866-1945)
(121) Kressner, Adolf (1853-1907)
(122) Kumar, Anant (b. 1969)
(123) Kunz, Hermann (1846-1935/37)
(124) Lampmann, Conrad (1868-after 1905)
(125) Laufs, Anna (d. 1921/22)
(126) Laufs, Carl (1858-1900)
(127) Leiningen-Westerburg, Josephine zu (1835-1917)
(128) Lepel-Remmer, Caroline Freifrau von (1849-1919)
(129) Lewalter, Christian (1825 [?]-1876)
(130) Lewalter, Johann (1862-1935)
(131) Löbbecke, Elsa von (1886-1915)
(132) Löwe, Feodor (1816-1890)
(133) Lyncker, Karl (1823-1855)
(134) Lyncker, Wilhelm (1831-1862)
(135) Malsburg, Ernst von der (1786-1824)
(136) Manger, Adelheid (1894- after 1948)
(137) Martin, Marie (1856-1926)
(138) Matsko, Johann Matthias (1721-1796)
(139) Merkel, Salomon Friedrich (1760-1823)
(140) Metthingh, Philippine von (1788-1862)
(141) Meyer von Waldeck, Clemens Friedrich (1824-1899)
(142) Mohr, Georg (1870-1928)
(143) Mohr, Ludwig (1833-1900)
(144) Moriton, Arthur (1878-after 1939/before1949)
(145) Moriton-von Mellenthin, Bath (1874-1914)
(146) Müller, Christoph (1859-1932)
(147) Müller, Friedrich Wilhelm (1801-1889)
(148) Müller, Friedrich (1833-1900)
(149) Müller, Max (1863-1920)
(150) Müller-München (formerly: Müller-Cassala),
Gustav Adolf (1872-1933)
(151) Münchhausen, Marie Luise Eleonore Freiin von (1782-1828)
(152) Nerciat, André-Robert Andréa de (1739-1800)
(153) Neumeister, Georg (1872-after 1909)
(154) Neurath, Karl (1883-1950)
(155) Niemann, Stefanie (1869-?)
(156) Niemeyer, Gottlieb Anton Christian (1783-1864)
(157) Paar, Elisabeth (1852-1901)
(158) Paar, Mathilde (1849-1899)
(159) Pohl, Emil (1824-1901)
(160) Preser, Karl (1829-1910)
(161) Presler-Flohr, Johanna (1862-1925)
(162) Rembe, Anatole (1861- after 1931)
(163) Riemenschneider, Wolfgang (1594-1632)
(164) Ripcke, Leopold (1871- after 1937)
(165) Ritter, Anna (1865-1921)
(166) Rühle, Karl (1848-1927)
(167) Ruhl, Ludwig Sigismund (1794-1887)
(168) Schefer, Therese (1861-1907)
(169) Scheuermann, Julia Virginia (1878-1942)
(170) Schmahlfeldt, Ludwig (1860-1914)
(171) Schmitt, Karl (1828-1855)
(172) Schnezler, Ferdinand Alexander August (1809-1853)
(173) Schüler, Karl (1867-1939)
(174) Schuriem, Jean (2nd half 19th c.)
(175) Schwarzkopf, Karl (1843-1907)
(176) Schwiening, Georg (1856-1918)
(177) Sichel, Frieda (1889-1976)
(178) Siebert, Eduard (1865-?)
(179) Skraup, Karl (1851-1905)
(180) Steckhan, Clara (1894-1943)
(181) Steil, Ferdinand (1872-1936)
(182) Stein, Ludwig (1868-1934)
(183) Steinecke, Adolf (1852-1918)
(184) Stirn-Nivière, Anna (1843-1912)
(185) Stolte, Ferdinand Ludwig (1809-1874)
(186) Storck, Frida (1850-1897)
(187) Strack, Maximilian (1865-?)
(188) Strüfing, Ernst (1866-1929/30)
(189) Thielmann, Else (1892-?)
(190) Thorbecke, Karl (1786 [1785?]-1837)
(191) Tietz, Gunther (1961-1993)
(192) Torge, Else (1887- after 1943)
(193) Trömner, Richard (1851-1914)
(194) Völkel, Ludwig Johann (1762-1829)
(195) Wagner, Heinrich (1747-1814)
(196) Wagner, Richard (1868-1927)
(197) Wehlau, Anna von (1868- after 1926)
(198) Weichardt, Helene (1851-1880)
(199) Weidenmüller, Anna (1854-1934)
(200) Wendt, Hans (1878-1922)
(201) Wepler, Emilie (1818-1893)
(202) Wigand, Karl Samuel (1744-1805)
(203) Wigand, Curt (1865-1913)
(204) Wigand, Johanna Elisabeth (1833-1894)
(205) Wigand, Paul (1786-1866)
(206) Wildungen, Ludwig von (1754-1822)
(207) Winckler-Tannenberg, Ernst Eduard Julius Arthur (1852-1923)
(208) Wiß, Andreas (1788-1815)
(209) Wolff, Louis (1846-1919)
(210) Wolff, Wilhelm Martin (1856-1886)
(211) Zachariae, Blanka (1853-1919)
(212) Zimmerli, Gottlob Wilhelm (1876-1918)
(213) Zöllner, Ernst (d. 1919/20)